tag:blogger.com,1999:blog-6593666821624078979.post417594142966869382..comments2024-03-14T07:41:50.214+01:00Comments on Colorful Animation Expressions: 2010 film reviewOswald Itenhttp://www.blogger.com/profile/09560644491496569393noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6593666821624078979.post-73991085316684187172011-01-09T23:35:45.314+01:002011-01-09T23:35:45.314+01:00Hi Anonymous, I've posted your comment here (i...Hi Anonymous, I've posted your comment here (it was originally posted to a Tarzan post which does not mention French films at all, so I figured it was just a mistake).<br /><br />I also love many dialogue heavy French (or British or American) films, be it pre- or post-1950.<br />I even like Louis Malle's "Vanya on 42nd street", although I firmly believe that film is an audiovisual medium. <br /><br />It's just that I've seen quite a few recent films that felt just talkative or not really focussed. In fact, what I meant was that many of the French films I've liked recently were breaking from that mould.Oswald Itenhttps://www.blogger.com/profile/09560644491496569393noreply@blogger.comtag:blogger.com,1999:blog-6593666821624078979.post-36825669813921490262011-01-09T23:26:44.026+01:002011-01-09T23:26:44.026+01:00I love dialogue heavy French films, which is why I...I love dialogue heavy French films, which is why I don't like most things past 1950. Actually there are a number of dialogue heavy American films that are classics from this time period as well. I guess in cinema I prefer dialogue over design, since I have a degree in painting, and I don't consider visuals in film truely an art form.Anonymousnoreply@blogger.com